I build experiences that people remember! From bringing brand mascots to life and creating original characters, to leading creative direction for names like Coca-Cola, DFW, and CBS. My background is in 3D animation, so I sweat the details of how something feels and moves, not just how it looks on a slide. Give me a tight deadline and a tricky brief, and I'll find a way to make it work without losing the craft!

Jankie
AinsleyTwo original animated characters, designed and delivered for live national broadcast. I partnered directly with CBS producers from concept through air, developing these original characters built to hold up under real-time rendering on a live reality TV show, no second takes. Both characters launched successfully across Season 26's live broadcasts, revealed on-stage to the full cast. Jankie became a character especially beloved by fans.
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A Gen Z-focused avatar and scene built for Coca-Cola's trade show environments, blending brand storytelling with live, real-time 3D. I directed the character's brand and creative identity end to end, drawing on firsthand Gen Z cultural insight to keep the read credible rather than generic "youth marketing."
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An AI-powered avatar interview experience built to pair emerging AI technology with genuinely watchable storytelling, rather than a novelty tech demo. I led creative development of Protobot's motion and lip sync design along with assisting in the interaction design opposite William Shatner, balancing the format's novelty against pacing, personality, and visual polish.
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An avatar designed to guide airport guests through complex terminals in real time using our original flagship character designed by myself, and with a custom UX/UI design focused on clarity, approachability and accessability.
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An original avatar I modeled, rigged, and animated end to end for Summerfest's expo floor, with hands-on 3D production work, not just creative direction from a distance. Navi greeted and guided festival guests live, holding up across a full expo day of real, unscripted interaction.
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Kids apart of the SHARP Literacy program had access to our portal to work on learning coding and AI fundamentals in a way that's genuinely fun to sit through, not just technically sound. Creative direction here meant adding some additional kid-friendly avatars to our usually business-focused portal to make the expereince more exciting.
Watch the Video ▸Ongoing management and evolution of CodeBaby's avatar library and brand system across a global client portfolio.

Original web app design work built out in Figma, covering interface and interaction design for a product-facing avatar platform.
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Full website redesign for CodeBaby, built from information architecture through final visual design — restructuring the brand's site to modernize its visual identity across every touchpoint.
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Invited guest on the official Babylon.js podcast, discussing real-time rendering and avatar innovation from a creative direction perspective.
Watch Now ▸A walkthrough video guiding new users through setting up a CodeBaby account, shot, recorded, and edited start to finish by me in Premiere Pro. Scripting the pacing, cutting for clarity, and making a setup flow feel approachable instead of like a manual.
Watch on Vimeo ▸Before real-time avatars, I was designing the everyday materials that carry a brand; social content, print ads, and marketing collateral built in Illustrator, InDesign, and Photoshop.

Branded print brochure designed in Illustrator and InDesign for luxury open house events, part of a full suite of client-facing marketing materials.
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Brand-consistent social content and reels created to promote listings and open houses across platforms, built for engagement and quick turnaround.
Reel 1 ▸ Reel 2 ▸ Post ▸
A print ad spot designed for BizTimes' "Giving Guide" feature, translating CodeBaby's brand into a single-page print placement.
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An event flyer designed for a Chicago pop-up speakeasy; early freelance work exploring a different, moodier visual voice outside brand work.
View PDF ▸My work lives at the intersection of storytelling, technology, and brand identity. I design and animate avatars that guide real people through airports, represent global brands at trade shows, and appear live on national television.
I earned my Bachelor's in Fine Arts from DePaul University in Chicago, where I built my foundation in animation and fell in love with the city. I landed my first industry job thanks to some lucky timing and a lot of persistence, while bartending to help pay for my degree. From there, I worked my way up from part-time animator to Chief Creative Officer, driven by a constant need to keep learning and pushing my craft further.
Most of my best work has come out of pressure. Impossible timelines, last-minute client changes, technical roadblocks nobody saw coming. I've learned to treat those moments as fuel instead of friction, and some of my favorite projects only came together because we had to get scrappy and creative to hit the deadline.
None of that happens alone. I love working with teams, bouncing ideas around, pushing each other's thinking, and building something none of us could have made solo. That collaborative energy is where the best ideas usually show up.
Outside of client work, I'm keeping up with design trends, watching films, or lost in a video game. Creativity doesn't clock out when the work day ends!